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in time and in space. So when designing flows we have to consider both. With spatial flow we look at th... st resistance. To recognise the resistance you'll have to rely on your observation and intuition: you wa... n the meal to the mood of the festival, you might have a thematic meal - like "food for the spirits", "a... meal. Everyone is keen to come, but a few of them have peculiar food allergies – something to take into
sion process starts:
* formulate a question
* have a discussion about your question
* synthesize a... ing round can be very short (as it should already have happened online) so you can focus on objections.
... at is the minimum goal and what "would be nice to have but not absolutely necessary?"
If you can't agre... ents provide interesting alternatives?
* do you have to make this decision? what would happen if you d
logical). If it's important that all participants have the opportunity to discuss all categories, you ca... oup gravitates toward.
Collect 10-15 topics that have the most dots (i.e. 'hottest topics')
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=== ... this exercise - draw the line on a whiteboard and have the post-its arranged in a column on the left und... t.
Ideally by the end of this exercise you will have one critical uncertainty that everyone can agree
ts** to continue **after the event**? what do you have to do to make this happen?
=== Content ===
* ... ld be appropriate for specific topics?
* do you have sufficient diversity of methods to engage **diffe... de? Where in the day would they happen? You don't have to use all the ingredients, only the most essenti
of modes of engagement/channels of communication. have multiple alternatives to engage with people with ... repared to change mode/direction of conversation. have backup plans if things go wrong (what is the mini
