Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision Next revisionBoth sides next revision | ||
research_report_parenzana [2013-10-16 15:55] – [Methods] sarah.neville | research_report_parenzana [2013-10-21 08:57] – [Solution/Results] sarah.neville | ||
---|---|---|---|
Line 122: | Line 122: | ||
* Considering Design Fiction as a possible aesthetic | * Considering Design Fiction as a possible aesthetic | ||
* Locating possible structures to work with communities on weather lore | * Locating possible structures to work with communities on weather lore | ||
+ | |||
+ | {{> | ||
+ | //Tradition must be a springboard to the future, not an easy chair for resting.// | ||
+ | |||
==== Discussion ==== | ==== Discussion ==== | ||
Line 134: | Line 138: | ||
__Live performance__ | __Live performance__ | ||
- | * Work with performers to create scenarios based on historic proverbs/ future proverbs | + | |
+ | Back in Adelaide I am keen to work with performers to create scenarios based on historic proverbs/ future proverbs. Photographs like the ones we took at Parenzana may be a starting point. I would like to try looking at creating theatrical moments that are styalised and that might transcend time and or place and juxtapose more natural non performative scenes that are specifically representative of now. I am quite clear that this does not need to resolve into a ' | ||
__Community Cultural development__ | __Community Cultural development__ | ||
- | * Use the forecasting tools from Future Fabulators to work with regional communities in South Australia, particularly Mt Gambier. | + | |
- | * Create | + | I have been interested in working in Mt Gambier on the theme of the threat of natural disaster for some time now. I grew up in Mt Gambier, at the foot of an active volcano so I am quite aware of how this experience has led me to the ideas I am now chasing down for this project. The essence is in how to create stories to dispel innate fear connected to survival. I am considering utilising |
__Photographic study/ film development__ | __Photographic study/ film development__ | ||
- | * Create | + | |
- | * Work with recorded | + | In respect to investigating the potential of geographic shift, I would like to create |
- | * Select | + | |
__Presentation__ | __Presentation__ | ||
- | * Follow | + | |
+ | Before working on all of the forms above I feel that it would be beneficial to follow | ||
__Possible Finance__ | __Possible Finance__ | ||
Line 158: | Line 163: | ||
__Workshops__ | __Workshops__ | ||
- | | + | * We discussed potential developments from the residency, Nik suggested there may be oportunities to involve people |
- | * Host a workshop for foam to introduce theatrical | + | |
+ | |||
__Family/ Work balance__ | __Family/ Work balance__ | ||
Line 169: | Line 176: | ||
All in all I am arriving home with a creative vision dreamed up, a new network of futurists met, a very creative collaborative experience and a world of possibilities to develop my work through avenues opened in Europe. For Florence I hope she has gained a sense of herself in a larger world, a tolerance of travel and somewhere deep in her conscience the knowledge that the world is full of creative and strong personalities who can envisage a fantastic future. For Miranda I hope she learns that no matter where I travel and for how long, I’ll always come back (and perhaps next time she can come with me). More importantly I know Miranda realizes that wherever I am, my life includes her and I cherish her involvement in my work. For Matt, we both know that creative collaboration is part of the glue of our relationship, | All in all I am arriving home with a creative vision dreamed up, a new network of futurists met, a very creative collaborative experience and a world of possibilities to develop my work through avenues opened in Europe. For Florence I hope she has gained a sense of herself in a larger world, a tolerance of travel and somewhere deep in her conscience the knowledge that the world is full of creative and strong personalities who can envisage a fantastic future. For Miranda I hope she learns that no matter where I travel and for how long, I’ll always come back (and perhaps next time she can come with me). More importantly I know Miranda realizes that wherever I am, my life includes her and I cherish her involvement in my work. For Matt, we both know that creative collaboration is part of the glue of our relationship, | ||
- | {{> | + | {{l1006886.jpg}} |
// // | // // |